The excitement created from seeing Firmin’s ordinary(not) urban scenes of people walking down streets or standing on bus and train station platforms is arresting, in quite the same manner when looking at a John Sloan painting. She sees the moment which would appear on first glance to be rather innocuous, but stops it, and us, in time to see what she sees, and we can’t help but to say, “Man, there’s something good happening there.”
Read the full article at That’s Inked Up: Lisbeth Firmin Reaffirms the Solitude of the Urban Scene