What strikes one first about Lisbeth Firmin’s moody urban landscapes are their pervasive sense of mystery and haunting use of light and shadow. An expressionist realist, she is constantly exploring the relationship between people and their environments. Her paintings often feature enigmatic figures on busy city streets; her bold, confident brushstrokes capture their isolation amid the light, movement, and character of the surrounding urban space. Lately, she has received recognition for her paintings of solitary people heading to ambiguous places, reminiscent of Edward Hopper’s inscrutable, isolated figures.
Read the full interview with Dympna Burkhart at Constellation617.